The Johnny Journal

TUTORIAL: How to hand-wash vintage neckties

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A long time ago, I heard Judge Judy recite the “thin skull” rule on her court TV show:
”Defendants must take their victims as they find them”.

I think the same holds true for vintage clothing collectors. That is, they must take their vintage pieces in the condition they find them. Fans of vintage do have a choice as to whether or not they will accept the condition of a treasure they’ve found, but if they pass on purchasing it, who knows if they’ll ever see another one? There lies the rub, and it’s maddening.

As an insatiable vintage necktie collector, my world opened up when I discovered that I could actually hand-wash my ties. While some condition issues can’t be repaired (large holes, fading, etc), some vintage ties can be freshened up and even brought back to life with a good dunking.

I started an Instagram page to share some of my favorite vintage necktie designs (bellywarmers_vintage_ties) and since then, many other collectors have contacted me to ask about the process I use to clean them. I decided to document the steps here.

BUT, and this is VERY IMPORTANT:
This tutorial is for washing RAYON NECKTIES ONLY!

Do not attempt to hand-wash silk ties, crepe material, nylon/acetate blends or any type of fabric other than rayon. Silk colors will bleed, crepes will twist out of shape and nylon/acetate fabrics can curl up. Once these things happen, they cannot be remedied and you will ruin your tie forever. If the tie is not rayon or you are unsure of the fabric content, DO NOT RISK IT. You have been warned!

Luckily, however, if you are a midcentury vintage collector like me, you are probably well-aware that the material of choice for men’s ties during this period was indeed rayon. Silk material was being rationed for the WW2 effort (parachutes), and in an age where many men were expected to wear a necktie every day (even for casual dress), necktie manufacturers pivoted and focused on rayon fabrics instead. Rayon does not have the same smoothness or lightweight elegance as silk, but for a guy that collects 70+ year old clothing today, I am REALLY grateful for it. It’s heartier, beefier and much shinier than silk. Designs *pop* off the fabric and inventive hidden brocades can often be found woven into the material. In short, rayon is the reason I have been able to grow my collection to the size it is today (9,500 neckties and counting) because the material has stood the test of time.

So what does this mean in “real” terms? It means that if a vintage necktie collector stumbles across a fabulous 40’s tie that has ancient chin-grease stains, soup spills or is just plain dirty, and the tie is made of rayon, that tie can probably be cleaned up and worn again! It can be enjoyed again…saved from a landfill, or (equally as painful) a quilt. You wouldn’t throw away a beautiful midcentury painting, would you? No! Vintage neckties are wearable works of art, and in my opinion, deserve to be preserved. Plus, they’re cool as hell.

Ok, so this is how I wash my babies. Remember, RAYON TIES ONLY…

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Behold…the dirtiest vintage tie I have ever acquired. Seriously, it was absolutely filthy. But I really liked the subject matter (dirty oil rigs), so I decided to roll the dice and see if I could clean it up enough to wear it. The burnt orange color was somewhat difficult to photograph, but I gave it a shot.

As you can see, I really had my work cut out for me, but luckily, this wasn’t my first rodeo.

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Tools for the Job

Laundry detergent:
There are a lot of different laundry soaps out there with a lot of different additives included to whiten and brighten clothing. I don’t trust any of them with delicate, 70+ year old fabrics. No Oxiclean, bleach substitutes or advanced whiting formulas for me. I like ol’ skool, no-nonsense, straight-shootin’ liquid laundry detergent; free from dyes, perfumes, additives, and everything else. The detergent shown in the photo comes in a large container and is super inexpensive…perfect for a guy who washes a boatload of vintage ties.

Spray bottle:
For pre-treating, I use an uber-high concentration of soap to water in a spray bottle.

Bucket:
Any bucket will work, but I prefer a rectangular shaped container so the ties plop flatly (“plap”) into the water. It also minimizes twisting and wrinkling, which, in addition to cleaning, is the goal.

Pre-treatment board:
The perforated composite board I’ve used forever as a pre-treatment surface has seen better days and has almost collapsed on itself. It still does the job though…for now.

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Drying bar:
I use a suit hanger with the trouser bar removed to hang wet ties for drying. It works great. You could also hang ties on a shower curtain rod or any other smooth, horizontal, pipe-like span (next album title?).

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Easy Pre-treat

My entire necktie washing process happens in a large, two-tubbed utility sink. The perforated pre-treatment board sits right on top of the sink so that any dripping soap water ends up in the drain.

I use COLD WATER ONLY to minimize the risk of any fabric bleeding that can occur with warm, or even lukewarm water. Cold water and soap only!

To start, add cold water to the spray bottle, then add soap, replace the trigger, and shake vigorously to mix. As I noted before, I use a high concentration (approx. 20/80) of soap to water, but you can add more soap if necessary. After mixing, spray a little bit of the solution on your fingers to test. It should feel REALLY slippery and soapy. If it doesn’t, add more.

Examine the tie to be cleaned carefully. Take note of the locations of the most egregious marks and stains (almost always at the knot area). Lay the tie lengthwise on the board and spray it heavily with the soap solution. Don’t be shy…really wet it down.

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Next, rub your fingers across the entire length of the tie, focusing on the areas that are the most soiled. Work the soap into the fabric. Do NOT use a brush or any other kind of tool, as you could damage the fibers. Remember, the tie is really old. Use ONLY your soft, supple, lady-like fingers.

Spray the entire tie down again. Rub it more. Take your time. Then turn the tie over and follow the same procedure on the back, especially the tip lined ends.

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Finally, turn the tie over and spray it again. Pick it up and rub the heavily soiled areas between your thumb and forefinger. This is your last chance to really work the soap into the stains.

Lay the tie back down on the board and spray it one more time. Then let it sit for 30 minutes while the soap continues to do it’s job.

You are on your way!

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Get to Dunkin’

After 30 minutes have passed, it’s time for the main event!

Add cold water to the bucket. For one necktie, I fill to about five inches. You want enough water to cover the tie completely when submerged. Add copious amounts of soap. Mix the solution thoroughly with your fingers and confirm heavy slipperiness. Add more soap, if necessary. (Tip: if you add water to the bucket BEFORE adding soap, there will be little or no foaming.)

Fold the pre-treated tie in half, and then in half again. Plap it into the bucket.

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Reach into the bucket and with your flattened hand, press down evenly on the tie to submerge it in the solution. Hold for a few seconds to allow any air to be released. The tie should then stay submerged.

Then, with your flattened hand, lightly pump up and down on the tie to push and pull the solution through the fibers. The goal here is to pulsate the soap through the tie without changing it’s shape. This is why a rectangular bucket is helpful.

Stop after about 30 seconds and make sure the tie stays submerged. Then let it sit in the solution for one hour, but return every ten minutes or so to repeat the pulsating exercise. As the soap loosens the ancient dirt, oils and proteins in the fibers, the pulsing action will help push them out of the tie.

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Here’s what this bucket looked like after an hour of soaking. It’s astounding how much cigarette smoke, food and other crap can be trapped in one single necktie!

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Pretty amazing!

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Rinse Me, Baby

After an hour of soaking, it’s now time to rinse it all away. Pulling dirt from the tie was the primary objective before, but the goal now is to get rid of both the dirt and the soap.

Gently lift the tie out of the bucket and set it aside. Dump the crap water out and thoroughly rinse the bucket to remove all of the soapy residue. Fill the bucket to the same level again with cold water and plap in the tie.

Like before, push the tie under the waterline and pump for 30 seconds. Remove the tie, wash out the bucket, and repeat. Three cycles of this should remove all traces of soap and dirt, but if you continue to see residue in the bucket or on the tie, add additional rinses.

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Next, fold the tie in half one more time and hold it in the palm of your hand. Lightly press down on top of the tie with your other hand and squeeze out the bulk of the clean water. Any remaining water in the tie will be removed during the final drip-drying step.

You’ll probably notice now that your rayon tie feels and looks a lot better! The fabric almost squeaks when you roll it between your thumb and forefinger. This is what simple detergent, a disciplined cleaning process and generous soak times can do…they have already worked wonders on your baby!

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I Blocked You

Up to now, you’ve hopefully managed to avoid twisting, pulling or wringing your tie as you’ve been washing it. This careful handling will pay off HUGE later on after the tie has dried. I call it “pre-blocking”.

I’ve noticed that a lot of people don’t pay much attention to blocking. They wash a vintage garment and let it dry any ol’ way with the intention of ironing or steaming it smooth later on. While I do iron my ties, I really don’t want to work that hard at it, so I take the time to block my ties correctly BEFORE they dry to save myself valuable fixing time later on.

After you’ve lightly squeezed most of the water out of the tie, drape it over the hanging bar to drip-dry completely (my hanger dangles above the sink to catch the fallout). Line up up the tips of the wide blade and the tail. Turn the wide blade around to the back folds and pull down the buckram piece that runs inside the length of the tie. Make sure it’s straight, flat and not crumpled up.

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Next, pull and smooth the inside tip lining as much as possible, so it hugs the underside of the rayon fabric. Then close up the back folds and straighten them. The goal is to have everything flat and evenly layered as much as possible under the folds (with no lumps or bundled up material), just as the tie looked when it left the factory. Follow these same steps for the tail.

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Next, turn the tie around and smooth out the front. Start at the top near the hanging bar and work your fingers down the edges toward the bottom. Gently pull across the front of the tie to even up the sides. Smooth out and straighten the bottom tip. Make the tie a long, smooth, uniform triangle if you can. Take your time. I’ve found that if a vintage tie was made well to begin with (which most of them were, especially by today’s standards), the fabric will usually stay in place and hang evenly once it’s set. Follow these same steps for the tail.

As I’ve already noted (ad nauseam), taking the time to block the tie now will save tons of pressing time later on, not to mention minimizing the abuse that a hot iron or steamer can inflict on vintage fabric. In fact, I sometimes don’t even bother with pressing. Many of the ties I’ve photographed for my Instagram page weren’t ironed at all.

A sidenote:
I do know other collectors who wash their ties and don’t hang them to dry. They prefer instead to stretch them out on the lawn and let the sun bake them. One friend even told me that he believes the chlorophyll in grass actually brightens the colors of the ties. I have no way of knowing if this is true or not, but I tried it once and really missed the ability to hang and block the tie exactly the way I wanted it.

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When you’ve finished fiddling and the tie is hanging nice and straight, step back and admire your work. I usually reward myself with a delicious treat for a job well done. I like scotch.

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Drumroll, Please…

How did I do? Take a look at these before/after pics and judge for yourself:

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Overall, I am VERY HAPPY with the results!

Is this tie “factory fresh'“? No. But is it crisp, clean, and wearable again? Absolutely! The colors are more vibrant and it smells great, too. Plus, improving this tie’s condition means that I’ve also improved the value of my collection. It’s a win-win-win all around :)

So, Viva la Vintage! I hope this tutorial has helped you realize the potential for your own vintage ties and future gems you plan to add. Most importantly though, I hope to see you wearing and sharing them proudly with the world! Until then…

GET TO DUNKIN’!


(Click here to see some of my favorite vintage neckties from my collection)

My "New" Vintage Necktie Hangers Project

Should I be concerned that I’m now collecting vintage accessories…for my vintage accessories??

NO WAY, RAY!

I found these cool vintage hangers a few years ago with the hope of repurposing them to hang some of my vintage neckties. I admire the masculine, midcentury themes…bowling and hunting; two activities I never do, but like many of the vintage ties I’ve found, I love to dream about their history. It’s a recurring exercise for me, not only as a collector, but also as a songwriter.

After I made a few structural repairs to the metal frames to shore them up (JB Weld is incredible stuff), I was ready to get started!

I added some decorative moldings to two pine boards that will serve as the bases for the pieces. Sanding them extra smooth was key (I do like things smooth).

I took the metal hangers down to the hardware store to find wood stains that I thought would best compliment the themes, then I applied FIVE COATS to get the the colors rich and deep (next album title?).

After the stains had dried completely, I applied a durable poly finish to the boards. I’ve finished other wooden pieces like these before and it’s always a nerve-racking process for me (bubbles, dust, specks, etc becoming trapped in the finish). My solution? Bourbon…I don’t put it in the poly, I put it in my mouth. Problem solved!

After the finishes had cured, it was time to install the metal hangers onto the boards. I decided to widen the screw holes on the back of the boards with a Forstner drill bit. The larger holes allowed the screws/nuts to be counter-sunk into the wood so the boards could sit flush against the wall when it came time to mount them.

The hunting piece turned out GREAT! I think the rustic color of the stain really compliments the “outdoorsman” theme.

Check out the details. Nothing is manufactured like this anymore. It’s the reason I love vintage stuff, vintage music…vintage everything.

LET’S GO BOWLING!

STRIKE!!

I love the long stretch of this piece. I tried to choose a stain that resembled an old bowling alley lane. How’d I do?

The hanger hooks are shaped like bowling pins. So cool.

I mounted the bowling themed hanger in the “Johnny Lounge” because, well…that’s where all the scoring happens. HEYO!

For my entire adult life, I’ve used a doorknob to hang my ties after I’ve unknotted them. Never again!

The hunting themed hanger was mounted in the foyer of the house. I use it to hang new ties that I plan to wash or press for my collection.

Functional, beautiful and repurposed vintage!

♪ ♫ Blending old with the new…my favorite thing to do ♪ ♫ (see what I did there?)

I hope you dug this post! Viva la vintage! :)

Why...Yes! I'd Love To Show You My Homemade Vintage Tie Clip Display! Thanks For Asking!

I ADORE vintage 1940's-50’s wide neckties and have amassed quite a few over the years, but I’ve also collected lots of incredible vintage tie clips from the same period. I love the different themes and clever designs…the kitchier, the better!

Unfortunately, though, I’d never found a good way to display them all, so I ended up keeping them in this crude cardboard box. How barbaric! I had to dig around forever to find the perfect tie clips to wear with my favorite vintage neckties. There HAD to be a better way!

I found this vintage tweed suitcase while I was out on tour (yes, I collect vintage suitcases, too—stop the madness!). The outside looked great, but the inside fabric was trashed, so I decided to pull out the lining and use the shell to create a display case for my tie clip collection. The goal was to turn the suitcase on it’s side and be able to view all the clips so I could choose the perfect one to wear after I had knotted up my tie.

Next, I built this wooden frame with hinged panels to be inserted into the suitcase shell. This took a looooong time to figure out, because while I try to look pretty, I’m not the brightest bulb when it comes to construction. There wasn’t an established central post for the panel hinges to swing from, so the challenge was to mount both ends of the hinges onto the panels themselves so that each panel could be supported and piggyback off of the one behind it.

I found some great velvety chocolate brown fabric that I thought would complement the mostly brass color of the tie clips. Then I measured and cut all the fabric pieces to cover the panels and “clip strips™” (trademark pending—don’t try to steal it).

“Clip strips™” glued and ready!

Here’s what one of the upholstered panels looked like, with strips in place.

With all of the panels covered, it was now time to install the frame into the case. This is where all the measuring paid off :)

Last minute lining of the suitcase hinge and heavy duty velcro straps installed to hold the heavy wooden frame inside.

With the frame in place and velcro straps fastened to the sides, you can see now that the design concept was not to have the panels stacked up inside the deeper part of the suitcase, but rather, to extend them outside of the case so I could easily flip through them and see the assorted clips on both sides. To keep the panels from falling forward because of their weight, the wooden frame inside the case needed to be heavy enough to act as a base.

Covered flat panels were also installed inside the front lip of the suitcase and on top of the frame in the back to maximize the display area.

With the case ready for stocking, I decided to clean all the tie clips before I displayed them. I used ketchup (except on pieces that included leather or paint): brushed it onto the clips, worked it in with a soft toothbrush, let them sit for 30 minutes, rinsed three times in a bowl of hot water, allowed them to air dry and then polished them lightly with a clean cloth. The acid in the ketchup supposedly cleans decades of old tarnish and deposits off of the brass metal pieces (or so I’m told by the Internet gods). The clips did look a lot better after they were cleaned! Thanks Al Gore!

WOW! You could eat off of those tie clips!

Commence to stocking!

And now, the finished product…

Mission accomplished! I can see every clip in the bunch by simply thumbing through the panels. It still takes a minute or two if I’m trying to locate a particular clip, but it’s a night and day difference from the impossible digging I was tasked with doing before. Plus, I’m able to enjoy my collection so much more now!

Here are many more pics of my vintage tie clip collection as displayed in the new case.

I hope you dug this post!

Updating A Vintage Suitcase For A Vintage Microphone

I discovered early on in my career that my voice sounds best when recorded with a vintage ribbon microphone. An ol' skool ribbon mic provides the darkness and depth found in the recordings of my favorite mid-century singers that I don't think can be replicated with modern mics. The downside is, because they're so old, vintage ribbons have become harder and harder to come by, and the cost to rent them...well, it's ridiculous.

So I decided to take the plunge and purchase my own vintage RCA 77-D ribbon mic. After shopping around for awhile, I found a superb model on sale at Vintage King in Los Angeles. By avoiding expensive microphone rental, insurance, and shipping fees for my last few recording sessions, it has already paid for itself! I love it when that happens.

But, I still needed a mic case to protect it while in storage and in transit...

Experts recommend that a vintage ribbon microphone be stored vertically (up and down), so the ribbon inside doesn't sag over time. I hate sagging :) Vintage King wanted to sell me this red case for that reason. It's fine, it houses the mic vertically as recommended, but I didn't think it suited the mic. After all, a vintage microphone should have a vintage case, right? Plus, this modern foam case was priced at $150-$200. Umm, no thank you.

So, after rooting around the house for awhile, "The Muse" found an old suitcase I had used as a road case during my Indigo Swing touring days. Seemed like the perfect choice to keep things in the family.

The outside was still intact, but the inside lining was trashed. I cut out all the pocket fabric from the sides and the bottom, glued down any stray material and painted the exposed wood with some black latex paint we had lying around.

Next, I would need to create a cradle to secure the mic inside the case.

About a year ago, I commissioned a local company to make an ATA stage case to be used for touring. When I went to pick it up, I noticed a large bag of foam in the garbage area of the shop. When I asked if I could have it, they shrugged and said "whatever" (yes, I'm THAT guy). It was, however, a good premonition, because I had what I needed now to finish this new project.

Some foam pieces for the cradle, glued and trimmed.

These two items were absolutely necessary for this project.

Cradle ready for installation!

 I cut the foam extra tall so the lid would squash it down when closed and hold the mic in place.

The moment of truth...

It fits!

Just one more piece on top to hold the cargo in place.

Have mic, will travel! Vintage cool, stored on it's side to prevent the "sag". See you in the recording studio :)